Exhibition Under the Tree
树下的文献展
IDES Archive Exhibition
BIFT Park, Beijing
策展
(cce, 2019)
IDES: The Possibilities of Future Design Education : Archieve Exhibition on Design Education" indexes practice samples from educators of diverse attributes and contexts within the perspective of the School of Art and Design, spanning both the present and the past. It presents the implicit phenomenon of "teaching" in its most respected form.
“未来教育的可能性:设计教育⽂献展”索引了艺术设计学院视域中不同属性、不同语境下的教育工作者们在当下、在过往的实践样本,并将“教学”这一隐性思考现象以最被尊重的形式呈现。展览分为“教学思考”,“教学方式”,“教学空间”和“与教学观念相关”四个区域,观者可自由漫步其中,或坐或卧。在2周的展期中,通过文献阅读与交流,倡导未来学习方式,开启面向未来发展教育教学的有效行动路径。
Meta Learning
元学习-十个瞬间
Media Lab, BIFT, Beijing
策展
(cce,2023)
Meta learning, learning beyond, is also learning in depth. A true mile stone is reached when you realize the essence of a design: that the object is not a goal but a medium, that a cup of coffee is not just a caffeine carrying drink, but a moment of inspiration, conversation and understanding.
The exhibition invites 100 participants to share 10 selected moments from a span of 16 weeks. Nearly a thousand fleeting moments are juxtaposed within the same space and time.
元学习,超越学习,也是深入的学习。当你意识到一个设计的本质时,就达到了一个真正的里程牌:对象不是目标,而是媒介,一杯咖啡不仅仅是携带咖啡因的饮料,而是一个灵感、对话和理解的时刻。
展览邀请100位参与者分享在16周中所选取的10个瞬间。在同一空间与时间中并置出近千张瞬间切片。
Research Exhibition on
Virtual Beings
虚拟人研究展
Media Lab, BIFT, Beijing
策展
(cce,2023)
策展
(cce,2023)
当现代机器获取粒子、电磁波式的光态结构,赛博式生存全面展开的当下,古典式的怀疑进一步复杂化:我们确知虚拟世界无处不在,全面弥散于物理空间,然而虚拟物所触发的情感与智识是否能称为真实的?
At a time when modern machines acquire particle- and electromagnetic wave-like structures of light and cybernetic existence is in full swing, classical doubts are further complicated: we know for sure that virtual worlds are everywhere, fully diffused in physical space, but can the emotions and intellects triggered by virtual objects be called real?
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Aranya Poster Festival
工作坊:阿那亚海报节
Aranya, Qinhuangdao
工作坊策划及组织
(cce,2023)
工作坊策划及组织
(cce,2023)
受阿那亚邀请,在首届阿那亚海报节期间,由cce进行课程设计及实施,开展公共设计美学教育,降低设计的门槛,鼓励任何有无经验者在做中学,开设公益性质的海报工作坊。工作坊全龄段友好,使用彩色纸张及印刷文字等原始材料,通过剪贴及对图形、文字的组织排列,完成一幅具有创造性的海报。
During the Aranya Poster Festival, CCE was responsible for curriculum design and implementation. Complementing the poster exhibition and guided tours, they conducted public design aesthetics education to lower the barriers of design and encourage learning by doing for participants with or without prior experience. A charity-based poster workshop was held, welcoming all age groups. Using basic materials such as colored paper and printed text, participants created imaginative posters through cutting, pasting, and arranging graphics and typography.
Qingguo Forum
青果论坛
BIFT, Beijing
创立于2013年,青果论坛每年于毕业季开启,是以学生为中心,倾听和发现学生的创造性,反思教学和人才培养观念的公共平台。举办12年期间,挖掘来自海内外高效的设计师100余名。
Founded in 2013, the Qingguo Forum launches annually during graduation season. It is a public platform centered on students, dedicated to listening to and discovering their creativity while reflecting on teaching philosophies and talent development approaches.Over its 12-year history, the event has discovered and showcased over 100 outstanding designers from both China and abroad.
Winter · Pinggu Acorns
Digital IP Exhibition
Pinggu, Beijing
IP设计·策展
(cce,2024)
受平谷区山东庄镇委托,cce与北京服装学院团队合作,为山东庄镇开发出特色IP形象:平谷小橡。以代表鱼子山精神的特⾊果实:橡果为设计原型,经过⽂化内涵撷取,形态开发,建模,设计匹配出适合不同场景的IP形象。
在平谷电站美术馆所举办的“数字IP展览”以实物AR、视频动画、循环动画、多媒体交互的方式,拓展其多媒介的使用场景。现场一台低能耗的传统实物投影仪,让身处鱼子山的观众可以轻盈方式进行互动,创建自己的橡果形象。因地制宜,轻盈可变。
Commissioned by Shandongzhuang Town in Pinggu District, CCE collaborated with the Beijing Institute of Fashion Technology team to develop a distinctive IP : "Pinggu Little Acorn." Taking the acorn as the design prototype - a symbolic fruit representing the spirit of Yuzishan - the team extracted cultural elements, developed forms, created 3D models, and designed adaptable IP images for various scenarios.
The "Digital IP Exhibition" held at the Pinggu Substation Gallery expanded its multi-media applications through physical AR, video animations, looped animations, and interactive multimedia installations. On-site, a low-energy traditional overhead projector allowed visitors in Yuzishan to interact effortlessly, creating their own acorn images. The exhibition achieved site-specific adaptability through lightweight and variable approaches.
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Consequatur Ullamco
Voluptate, 2004
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